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Christmas Poem

 by G.K. Chesterton (whom did you expect?)

There fared a mother driven forth
Out of an inn to roam;
In the place where she was homeless
All men are at home.
The crazy stable close at hand,
With shaking timber and shifting sand,
Grew a stronger thing to abide and stand
Than the square stones of Rome.

For men are homesick in their homes,
And strangers under the sun,
And they lay their heads in a foreign land
Whenever the day is done.

Here we have battle and blazing eyes,
And chance and honour and high surprise,
But our homes are under miraculous skies
Where the yule tale was begun.

A child in a foul stable,
Where the beasts feed and foam;
Only where He was homeless
Are you and I at home;
We have hands that fashion and heads that know,
But our hearts we lost---how long ago!
In a place no chart nor ship can show
Under the sky's dome.

This world is wild as an old wife's tale,
And strange the plain things are,
The earth is enough and the air is enough
For our wonder and our war;
But our rest is as far as the fire-drake swings
And our peace is put in impossible things
Where clashed and thundered unthinkable wings
Round an incredible star.

To an open house in the evening
Home shall all men come,
To an older place than Eden
And a taller town than Rome.
To the end of the way of the wandering star,
To the things that cannot be and that are,
To the place where God was homeless
And all men are at home.
Read More 4 Missages | scribbled by Unknown edit post

The Perilous Prosperity of Writing Ahead

        [lighthearted nonsense]

  Yorkshire’s loom lost a little of its pleasantry. “I am not a horse.” His words fell as stiffly as the lines of his neck and back prickled. “I am a stallion – meaning a great deal more pride, skill, patriotic spirit, and mostly (and mind you pay very close attention to this one) the complete and total lack of any ability on anybody else’s part to refer to me as a ‘horsie.’” 


[homely horrors]

Just over Falcon’s shoulder, I caught sight of the fallen figure of a woman, limp as the white apron flung over her face. A white cap peeped out above the overturned apron hem, and under the sash her dress was homely and simple—a faded blue, except for a splash of scarlet-brown… 
A heavy silence fell over the little group in the dingy greenhouse, broken at last by Falcon clapping a hand on Ceylon’s shoulder. “Well, my friend, you have got your murder at last.” He gave a caustic laugh.
The Hound said nothing, but sighed through his teeth with a hiss that spoke more than three or four pithy curses.

[fleeting introspection] 

There it was, at the bottom of the tangle of his motives: the unswerving intent to do the right thing, whatever the cost, whatever the means. Only now it seemed to him that the rightness of any thing remained inextricably twined with the cost and means and motive; it was all of them and none of them at once. He longed desperately for his father to come back and slap him and tell him what he ought to do. Yet, in truth, he was terrified of what that might be. He was terrified of his inability to accomplish it.
All that blurred through his mind in an instant. For a half-a-moment, he shook with an indecision that struck him as feminine – but it was only half a moment. Then the feeling vanished, replaced by the familiar sense of knowing that if he did not set out to do the job – whatever it was –  it would never be done. He stuck the much-disparaged green hat onto his head; perhaps it ought to have given him a pang, but he did not notice. The loaded pistol in Falcon’s coat pocket received a reassuring pat as he collected his feet and slipped down the stairs. 

Is any of this certifiably usable? I don't know. That's the fun of it. 
Read More 2 Missages | scribbled by Unknown edit post

Writers and taggers and blogs, oh my!

[lawfully plundered at www.deviantart.com]

Jenny tagged me. I have beaten this dead horse long enough, I am sure, but here it goes again: another glimpse of The Brew. I mean to do a post very like this on my latest blight of a story, but I have not had enough time to spend on it and so this will have to suffice. If you are very tired of Falcon and company, I am sorry.


1. Who are the main characters?

Ingrid Brewster: writer and typist. Darjeeling Falcon: Government Investigator, and Ingrid's employer and oldest friend. Lady Jane Grey: The Woman Who Has Disappeared, thus creating a Case and a Plot and all sorts of conundrumish things.


2. How did you get the idea for this story?

It started with a whimsical idea of a falcon named Darjeeling, a hound named Ceylon, and a stallion named Yorkshire Gold. Then it turned into a series of silly tales involving animals who talked (all named after tea) and a girl named Jane. That story supplied a vignette or two and then stalled for many moons. But! On a day full of fate (and many other things which would be much more interesting to mention but entirely irrelevant), I was watching a hawk and trying to glean inspiration when the animals turned into people, and something entirely Other was born. That something entirely Other is... this. 



3. What genre is this story?

It's how I write, that's what it is. 


4. Describe your book in three thoughts:

Who knows more of mystery - the detective or the writer? No, what I mean to say is, forget the cigar ash, Holmes, and pay attention to the story. And keep an eye out for the barber; he'll be back. 



5. The bit that describes an obscure piece of real life best:

Approaching (the house) at dusk on foot might have seemed gloomy and imposing to most, but I had done so many times before and the sight inspired fondness.On an impulse, I left the yawning drive and trotted across the lawn. The indefinite blue-black of the sky filled the very air and I, breathing it in, felt myself as much a part of this hour as an errant bat or the rattling frogs down by the lake. 
 
6. The funniest line said by a side-character thus far: 

I don't know about the funniest, but I find Darjeeling's mother rather amusing. I have good fun with her heavily-italicized lectures.

“I know you’re comfortable on the doorstep, Darjeeling, but some people can’t always be leaning on some wall or other. They’ve invented chairs for that!”

7. Your favourite piece of description:

“Yorkshire Gold, that’s my name a’right,” said the four-legged figure, looming above the little girl as cordially as any large creature in a dark forest can be expected to loom.

8. Your biggest fear in the writing of this story:

Paper cuts and carpal tunnel. Writing is a desperate, dangerous business.

9. Last full sentence you wrote:

The loaded pistol in Falcon’s coat pocket received a reassuring pat as he got to his feet and slipped down the stairs. 

(Dum dum DUM...!)

10. Favourite character thus far:

York, bless his literary hooves! I can't tell you exactly why; that would spoil it. Suffice it to say he's one of those chaps who doesn't get the best lines but manages to burst in and do all the right things anyway.

11. What books have been written or have you read that are similar in style and flavour to your novel?

I'm afraid it's probably a shameless mixture of Sayers' Wimsey, Chesterton's Syme, and A.A. Milne's Winnie-ther-Pooh.

12. If it was destined to become a book on tape, who would you wish to read it?

Oh, bother! If I thought it was destined to become a book on tape, I would not write it. Seriously; I have a general apathy bordering on aversion to most audiobooks, but in this particular instance a man's voice reading Ingrid's perspective would be rubbish, and the idea of a woman reading any of the lads' lines is ridiculous.

Lady Jane thought this a rather silly reason 
to insist on the one term over the other, 
but four hooves seemed quite a large number to argue with 
over trifles.
Read More 2 Missages | scribbled by Unknown edit post

New Endeavors: A Dark and Hatless Night

 
A thick, wet wind beat against the pane of the front window of The Crown & Scepter, its fury matching the scowl on the face of the tavern’s only other patron. Mr. Nathaniel Haywood sat at the table in the window brooding over his mug of cocoa. He said nothing to me as I entered; he did not appear to notice me at all. 

“Never had a gentleman ask for a cup of chocolate before.” The red-haired waitress lingering near Haywood’s table gestured to the mug before him. She laughed a little self-consciously, resting an empty tray against one hip and a slim hand on the other. “Not that that means much! I’ve just started this job three days ago. I didn’t know we had cocoa. ‘Twas Mr. Crown, the proprietor, who took it as an impertinence regarding the establishment’s cellars. I knew no better.” 

“A man ought to keep a clear mind.” Nathaniel held fast to his terseness, obviously hoping the lady would take a hint.   

“If by that you mean you ought to do so, why come to an establishment that serves alcohol in the first place?” she persisted. “Anyway, you don’t look respectable enough to worry about a few drinks.” 

“Don’t I?” queried Nathaniel. “No, don’t apologize. I understand. I suppose I do look like a scoundrel. Believe me when I tell you, a year ago today, you would not have found me thus. I don’t wonder you find me quite the ruffian, seeing that I lack the indispensable mark of every respectable gentleman.” 

She cast a doubtful eye over the dilapidated state of his coat and trousers and frowned. “That indispensable mark being…?” 

“How can you ask such a question?” The man stared incredulously. “My head, woman! I lack a hat! Do not say you did not notice my hatless state! So!” He gestured from his empty head to the bare hat-peg beside the door behind him. “Why have I no hat?” 

The girl laughed and threw up her hands good-naturedly. “I don’t know! Why have you no hat?” 

“Stolen!” thundered Nathaniel, and the sky outside echoed with a resounding peal. He seized his mug and swallowed half its contents in apparent fury. The heat of it took him by surprise, and he choked desperately for several minutes. The lack of oxygen had its quieting effect on him, and, when he could breathe again, he continued more calmly. “Yes, someone stole my hat, in this very room. Truly, it made a beautiful hat; you could hardly not know it if you saw it. The body of it consisted of a green felt, softened by years of my silly habit of playing with it. It had a brown band with gold-brown feathers tucked in on one side. The brim gave just the right amount of shade, without falling too far over my eyes. And – the color suited me, or so some said.” 

Here his voice faded wistfully into silence, and he stared out the window. Though he kept his back to me, I fancied I saw the bittersweet fondness in his eyes, reflected in the rain-soaked pane. Then he seemed to collect himself, cleared his throat gruffly, and finished. “In short, it seemed to me perfection embodied in a hat. It made me feel quite the gentleman. To even consider replacing it feels like betrayal.” 

“Who stole it?” 

“Some ill-favored idiot who frequented here at least once,” growled Nathaniel, suddenly glaring at his apron-wearing companion as if she had perpetrated the crime. “Once was enough. I know not who; I drank overmuch, and it happened as I slept in my chair. Your Mr. Crown said he did not know who had taken it. Some day, I tell myself, the thief will think I have forgotten and wear it. But I do not forget, and I watch and wait. I come every Tuesday, as I cannot come every night; ‘twas taken on a Tuesday, and so I have kept watch here the last fifty-two Tuesdays together.” 

The barmaid thumped the table with her tray and snorted. “Fifty-two? Do you mean to tell me that you have spent a year waiting for a hat?”  She winked at me sharply, and I felt myself ignorant of some enormous joke, as if I had put on my suspenders backwards and forgotten to laugh about it.

“I do not mean anything; I tell you plainly. A crazy idea, I suppose—fitting for a crazy man, as you must think me.” As the man spoke, I remembered the wet coat on my back and turned to remove and place it on the stand, but I kept stealing a glance or two at the pair, for they had taken my interest.    

“Aye, I think you a crazy man,” laughed she, “but not for the hat. I will tell you why I think you mad. Here you sit, having waited for a year and perhaps preparing to wait another five for a hat to walk in here on the head of some bloke. Who knows? It might come tonight, and you would prepare for such a meeting tonight by filling your belly with cocoa!” The waitress tossed her head, and I wondered if the man had yet noticed how her red hair fell past her shoulders and her eyes held sparks of amber. “I would say that no drink on earth could muddy your mind any more than you have already muddied it. Stop your sulking, and have you a drink.” She seized her tray and spun back around toward the kitchen. “The house will afford you the first; after that, I cannot promise.” 

Nathaniel sat a moment in silence. “Maybe she speaks rightly,” he said aloud to himself at last. “Better a little bravado than a dull mind; mine will not clear, anyway.” Then, as if with sudden resolution, he seized his mug and rose, tossing its contents over his back toward the open doorway—that is, towards me. Before I had time to recover, the tepid liquid hit the threshold floor at my feet, splashing cocoa all over my shoes and trousers. My hat, newly removed from my head, flew from my startled fingers and fell at the feet of the pretty red-haired barmaid, where it lay in a heap of worn green felt and golden-brown feathers.

An apology dead on his lips, Nathaniel Haywood replaced the cocoa mug on the table with a gentle click and turned from the doorway and the girl to the storm-filled window. A strange look of satisfaction came over his face. Only the eyes in his reflection remained bright with the great clarity of irony. 

“Aha,” I heard him say. 

Then he turned again to face me. 
Read More 2 Missages | scribbled by Unknown edit post

run and run as the rains come

 I'm just home from work. It's late - or early, depending on how you look at it - and the last vestiges of my mind are very much awake. Driving at night in a spattering rain has a way of waking one up to things: the copper hues of streetlights off the wet pavement, odd images of ghost-cars between the settled mists... and a strong desire to put my shoes back on and head out into the fog and the downpour and just revel... if nothing else, I have at least all the impracticality of a writer

Yet in me, these impracticalities must still be coupled with the pragmatism of the nurse. My back hurts and I must sleep. Blustery nights are well and good for brooding, and for atmosphere, and for deep knowledge of the darkness of self and life - but there is more of redemption in the dawn, in the waking and looking forward to a new day. Tea and writing and reading and pondering and all of the above with even more tea... and after tomorrow comes Sunday, and that day will dawn brighter still.

there's thunder in the sunset's rays:
bluster, blunder, slate-and-fire,
spinning, giddy, grey-sky days
punctuated by the steeple-spire - 
autumn leaves. 
Read More 0 Missages | scribbled by Unknown edit post
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Currently Writing:
Summary: A raggle-taggle tale of... something. Romance, children's fairy tales, and the misadventures of a detective all thrown together into one cup. Let steep 3-5 minutes. Cream and sugar, according to taste.
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