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Showing posts with label Andrew Peterson. Show all posts
Showing posts with label Andrew Peterson. Show all posts

Only a Sentence in the Story

He came back.

After that brutal Friday, and that long, quiet Saturday, he came back. 

And that one intake of breath in the tomb changes everything. It changes the very reason I drew breath today and the way I move about in this world because I believe he's coming back again. The world has gone on for more than two millennia since Jesus' feet tread the earth he made. What would they have said back then if someone had told them that two thousand years later we'd still be waiting? They would've thought back to that long Saturday and said, 'Two thousand years will seem like a breath to you when you finally lay your crown at his feet. We don't even remember what we were doing on that Saturday, but let me tell you about Sunday morning. Now that was something!'

These many years of waiting will only be a sentence in the story. This long day will come to an end, and I believe it will end in glory, when we will shine like suns and stride the green hills with those we love and the One who loves. We will look with our new eyes and speak with our new tongues and turn to each other and say, 'Do you remember the waiting? The long years, the bitter pain, the gnawing doubt, the relentless ache?' And like Mary at the tomb, we will say: 'I remember only the light, and the voice calling my name, and the overwhelming joy that the waiting was finally over.'

The stone will be rolled away for each of us.


May we wait with faithful hearts. 
-Andrew Peterson, album insert;
photo courtesy of deviantart.com, #LaVieDeBoheme.
If you have not had the pleasure of listening to Andrew Peterson's music, 
especially Resurrection Letters, Vol. II, 
I strongly encourage you to do so. 
You may find it and many other gems at: 
www.andrew-peterson.com  & www.rabbitroom.com
Read More 1 Comment | scribbled by Unknown edit post

Sailing in the Storm

Hey, you.

I know you're tired. In fact, I know you're exhausted. And I know that life just feels like a battering of assignments and tests and hours put in here for school and hours put in there to pay for the hours you put in for school, and meeting this person and talking to that person and worrying about this other person... yeah, I'd say I know Anna's life pretty well.

And I know that sky looks threatening, and the boat is the last place you want to be. I also know why.

Yes, I know the secrets of the minefield, of the storm, and I know the secret of your heart: you're not terrified of craziness and explosions and being exhausted from an excess of work. The reason the minefields terrify you, the reason you and so many others stay away, is because you're afraid you won't feel anything, and you hate being bored.

Wake up. The peril is not in the obvious hazards, the literal bullets, the schedule that wings by in a blur. The danger is in the landscape that never changes, the ground that never seems to ascend or descend, the monotonous plodding that grows more maddening with every step.

Peril is everywhere, but especially in the mundane. The thing that makes the minefields dangerous isn't the mines; it's the fact that you can walk them and never know the mines are going off all around you. That you would dive headfirst into the teeth of death and experience salvation and still - still! - shut your eyes to the beauty of the reality of what God is doing because it is too small for your backwards, twisted mirror-vision to detect, too boring to tickle those itching ears, too even-keel and ordinary to rock the emotion-springs of your heart.

This generation is obsessed with feeling things, and you are no different. So easily entertained by news stories and television shows and musical numbers by popular bands that bellow angst and candied-happiness and troubledness, the never-ending lie that life is what you feel, and you have to feel something to know your life. Meanwhile, we scorn things like marriage or simply being a full-time daughter or being a blue-collar laborer for the next twenty-plus years because... well, to dress it up and put it in as close-to-the-truth and disgustingly false way as possible, a Christian is all about risk, and I don't feel like I'm risking anything in any of those boring commitments.

That's why you won't get into the boat when the storm looms overhead. It's not because you're afraid of sinking. It's because you don't want to risk finding out that the storm isn't be all that it's cracked up to be - or, rather, that you're not all you've convinced yourself you are. Dan Haseltine hit the nail on the head when he sang: I have no fear of drowning; it's the breathing that's taking all this work. The terror is in not in going down with a blaze of glory; the terror is in finding your first squall to be a few mere ripples, and that even those are enough to keep you hanging over the rail puking your guts out for a lifetime. The terror is in realizing that it doesn't take an epic gale to reduce you to the dust that you are.

Yes, there are minefields, but they aren't guts-and-glory. They're the stupid little things we have to do every day to be the people God has called us to be and love the people he has called us to love. They're the myriad of insignificant little conflicts where our life is on the line, and we have to surrender it. And that's the danger: the searing heat of the blast doesn't get any closer to us than when we are totally unaware of its presence. There is peril in the mundane, and it is that we do not know the fires are singing the hairs on our necks because we cannot feel them. We cannot feel because we are bored; we are bored because we would rather be secure than have our ordinary things threatened. Take my life, Lord; create a World War - just don't take my routine, don't take my schedule, don't take my secure little corner of the world, my idols of the thousands of insignificant places where I can feel self-sufficient... give me something grand to feel, something I don't care about so all these little things can still be mine to me, and never yours, never surrendered... 

Are you disgusted enough already? Then forsake this gluttony of experience. Feelings are all very well and good in their place, but it's faith that's meant to be your eyes now. To say that life is boring because you don't feel the battle is to fall asleep in the face of an epic gale, even as we shake in our rubbers at the tiny ripples. Yes, that's you. It's good to feel foolish and know ourselves to be dust. Throw yourself on the grace of God. That grace is the only reason you may have faith to see the goodness in being small, in being foolish, in being secure in the greatness and wisdom of Almighty. Are you going to puff up yourself in the face of such great grace and wisdom and strength, protesting that your eyes can do better without the faith he gives so freely?

Come on, soul; you know you were bought with a price, and there's nowhere for you to go but the path grace forges. Let's clamber aboard this vessel and leave the oars behind. We can weigh the anchors of pride and self-sufficiency and unfurl the sails. Let's leave the wheel unmanned; the rudder's broken anyway, and my compass always forgets which way to point. We don't need to use the stars to divine where sovereignty drives us: you know it means us to go further up and further in, and "sovereignty" isn't just a nice word. It works. No, it doesn't feel like a thundering charge up the waterfall into glory yet - this is a Far Country, and we are still plodding, but the beauty of the mundane is that there are always glimpses, and the tragedy is to miss them.

So come on, you. That sky looks doubtful enough for sailing; what are you waiting for?


That's what the promise is for.
Read More 2 Missages | scribbled by Unknown edit post

That's What the Promise is For.

The stranger approached me as I stood contemplating the barbed-wire fence. It was an old, sagging affair, flapping in the greying dusklight like the tattered shreds of a war-banner. Its gangly belly brushed the short brown grass in several places. I had been trekking through these hillsides for some hours (or perhaps years; I had long since forgotten) until the fence brought me up short. It seemed too disheveled and humble for all the legends. I halted and stared more from surprise than reverence.

And then the stranger had come. As strangers in tales were wont to do, he spoke first.

“You don’t want to go in there.”

I faced the fence, not him. “It would be nothing to climb over it.” The difficulty of keeping the unspoken question out of my voice was almost too much. “’ Look—here, and here,” I began to stroll down the length of the fence, pointing out points that were so low I (even I!) could have safely stepped over it without lifting my hem and not torn my skirts.

Then I halted, for there was one part of the fence lacking in wire altogether. It must have been the gate, or rather the entrance, for it was merely an empty space. One of the posts bordering the entrance bore a simple red and white sign, with this admonition:

DANGER: MINES.

I turned to the stranger for the first time. His back was to the sunset; I could not see his face. “Is this it? Is this why I am not to go beyond the fence?”

I fancied I saw something of slyness play over the grey-blue hollows of his eyes. “Did I say you should not go in there? An exact quotation, I believe, would be you don’t want to go in there—a statement wherein the emphasis, my dear literary girl, lies not on the going, but the wanting.”

“The wanting?” I scoffed. “The sign would have done well enough what you and your shallow sport with words aim to do—if you are to be believed.”

The stranger ignored the last statement. “Would it?”

“Of course! Who wittingly and willingly walks into a minefield?”

He stood without motion so long I thought perhaps he had turned to stone. At last, he said but a single word: “Many.” And then, two more: “You would.” There was another pause. “You have traveled far, but not (I trust) from a cave. You knew there were mines here.”

 “I have heard of the minefields, of course, but I did not expect them to be so loosely bordered—nor so clearly marked.”

“Then you have heard, I suppose, of the stipulations imposed on those entering.” His voice took a definitely mocking tone.

“Stipulations? I have been taught the way things are,” I shrugged. “To enter the minefields, you must enter two at a time, or not at all.”

“Two at a time, by the gate,” now his tone slid softly about the ever-deepening dusk, with an almost fragrant quality to it. The contrast with the bitterness before was frightful. “And not just any two, eh? That is your problem. You have said it yourself; the way things are, and not a stipulation. Because if they were stipulations, it would be simple; if they were stipulations, you would climb over the fence. But the way things are cannot be changed; the way things are leave you hopeless—drifting along a tired old fence—and why?”

My voice sank with the slope of the nearest strand of wire. “Because I am only one.” The words seemed to catch at my fingers like the flailing barbs at the strands of grass, needling and shredding everything they touched.

The stranger took a step forward, a swift movement that startled me into a clumsy step backwards, but he only went past me and laid a gentle hand on the sign. “Danger: mines.” His voice became gentle. “Believe me: you are in no danger of the going, of the crossing over. But what of the staying? Is not the wanting a mine itself, planted deep in your heart, threatening to explode with each hasty step?”

I had no answer. He continued: “Stipulations—or the way things are—whichever word you call it.”

“I think—” I faltered.

“You think!” scoffed he.

He blinked again, and I felt so foolish I was temporarily muddled. “Do you pretend to know more than I?” scoffed he, and there was that blink. It was almost hypnotic: like a cat entrancing a mouse. I was the mouse; I was sure of it. “Do you know who I am?”

I knew the answer to that question. “No.” Then, suddenly, I had it, like the thunderbolt following late on the heels of the lightning strike. “No, I do not know you at all. You are the stranger—and very clever for such an unknown, but you know what they say about talking to strangers. Oh! You are very wise and cunning; in fact, you remind me of an owl, especially when you blink. But I was brought up on the best sort of children’s books, and I seem to remember an owl who looked very learned and turned out to be a fool. I think perhaps you are that sort of owl. And I—well, to be sure, my size in comparison is more a sparrow than an owl, and I’m sure I haven’t half the brains of a sparrow. But again, that depends on the sorts of books one reads. The ones I know seem to place things very decidedly in favor of the sparrow.”

“Sparrow?!” he laughed. “Sparrows do not live in the desert. They travel in flocks about cities and eat crumbs that wiser birds know to leave behind. You, my dear girl, are in the desert, with a great minefield bound up inside of you. You would be in a minefield either way, but this is the one you must walk—and walk it (as you say) alone.” 

The words chirped in the lingering silence; the crickets had fled years ago. Again, I felt my companion must have turned to stone, and my stomach with him. I seemed the only living thing in a world of rock, and a stone stranger sent to mock me for it.

And then I heard a voice, faint but clear enough to rise above the roaring silence of my stone heart and my stalwart companion and the crickets who were not there. The voice trilled like a poet, thundered like a prophet, sang like a minstrel, riddled like a bard, bellowed like a herald; it was each of these entirely and none of them at all. It was only my youngest sister’s voice, lifted high in what seemed a glorious epiphany of truth: “Anna! It’s dinner-time!” 

My eyes jumped from the dry grass at my feet to the stranger by the gate, but he seemed not to have heard. Whichever one you walk, you must walk it alone.

Rhetorically, the moment for answering had long since passed. But this was no mere game of rhetoric. I lifted my head. “What do you mean?” 

Then he looked at me, and now that the sun was no longer behind him I could see his face. He blinked a trifle owlishly, and I felt the question was stupid so I asked it again. “What do you mean?” I said again, frowning at the two lumps of gatepost and the stranger standing between them. He opened his mouth to speak, but I continued hastily: “Did I say I could not cross the fence because I was alone?”

“The stipulations—”

“Did I say I was alone?!” I squeaked desperately, wishing for the voice of man so that I might thunder back with equal volume, but determining to stick to my point this time, however unimpressively. He gave me that superior gaze and I almost felt silly, but that had never stopped me from talking before, and it seemed foolhardy to break with tradition at a moment like this. “I am sorry; I am sure the particular nuance I have in mind is too slight for a proper literary mind to divulge. It was almost too much for me, and even then I only thought of it because of the dinner-call.”

There! I had done my best to be enigmatic, but he still looked less confused than I felt. I plunged ahead. There was no sense in caring about making sense now. “I did not say I could not enter because I am alone; I said it was because I am only one. I did not say I was alone.” I repeated the last sentence with stubborn pride, putting my hands on my hips as I did so (I could not help it!). “So! There is this sign, and it says there are mines and there is danger, or (as you have inferred) there is danger to be had in the mines. All that is drawn from this side of the fence, where it seems this side is life where one must be alone, and on the other side a sort of half-life with the threat of explosions, and the best to hope for is a sudden death either way. But perhaps we have forgotten to look through the darkened glass; perhaps we have taken it for a mirror, and the reflection reads backwards. After all, the sign faces outwards, speaking not to those who are about to step on the mines, but to those of us who will not risk them at all. Danger.” 

I stopped and drew a breath, feeling giddy with the words and the dusk and the memory of the trumpet-sound of my sister’s voice. “And you! A veritable signpost yourself—you would have me find myself alone, with a heart ready to explode but safe. Safe! Wherever I walk, I pray to God it does explode. My heart is good for nothing else, just as this barren field is no good for a crop.” I kicked pensively at the draggled grass beneath me. “But maybe things will grow here, after the days of explosions and fires and smoke. Maybe if we forsake the mirror, the glimpse through the darkening glass will reveal this side is death, and the best we have to hope for on the other side is the explosion, and after that a sudden life.”

I did not give him another glance that evening as I turned and made my way away from the fence. The gate would have to wait for another evening. I had received a greater summons already; I was late for dinner. 
Read More 6 Missages | scribbled by Unknown edit post

"It all began with the aurochs."

-The Paradise War, Stephen Lawhead

Image courtesy of Wikipedia, because Google Images is just that cool.

I would say I hate to always be borrowing Jenny's ideas, but I don't. She has such good ones. Recently, she posted a brief but poignant remark on the importance of the opening lines of a book, quoting several of her favorites' at the end by way of example/an excuse to fill a post with really good quotes. This is what I resort to blogging when my brain is too tired to produce anything but unedited snippets of awkward.

A fair few of my favorites found their way into Jenny's post, and I shall not bother to recapitulate those; Rosemary Sutcliff, Beowulf, and Perelandra being foremost in my memory as such (you may find her post here). But sans-the-aforementioned, here is my own, per Jenny's request and my own desire to throw this together.

First Impressions: {Redux}

Blandings Castle slept in the sunshine.
-Summer Lightning, P.G. Wodehouse

The whole land of Skree was green and flat.
-On the Edge of the Dark Sea of Darkness, Andrew Peterson

So, now. One day soon they hang me for a rogue.
-Scarlet, Stephen Lawhead

The Egotists' Club is one of the most genial places in London.  
-The Complete Stories, Dorothy Sayers

The Naming of Cats is a difficult matter, 
It isn't just one of your holiday games; 
You may think at first I'm as mad as a hatter 
When I tell you, a cat must have THREE DIFFERENT NAMES. 
-Old Possum's Book of Practical Cats, T.S. Eliot

I am old now and have not much to fear from the anger of the gods.  
-'Til We Have Faces, C.S. Lewis

Beloved in our Dearest Lord, you are those worthies 'of whom this world is not worthy.'
-Heaven on Earth, Thomas Boston

Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin.
-Winnie-the-Pooh, A.A. Milne

There is an ancient proverb people tell
that none can judge the life of any man
for good or bad until that man is dead;
but I, for my part, though I am still living, 
know well that mine is miserable and hard.  
-The Women of Trachis, Sophocles
On  Mondays, Wednesdays, and Fridays it was Court Hand and Summulae Logicales, while the rest of the week it was the Organon, Repetition, and Astrology.  
-The Once & Future King, T.H. White

 My father's family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. 
-Great Expectations, Charles Dickens

Sophie le Patourel was reading aloud to her two daughters from the Book of Ruth, as they lay upon their backboards digesting their dinners and improving their deportment.
 -Green Dolphin Street, Elizabeth Goudge

A surging, seething, murmuring crowd of beings that are human only in name, for to the eye and ear they seem naught but savage creatures,  animated by vile passions and by the lust of vengeance and of hate." 
-The Scarlet Pimpernel, Baroness Orczy 

Mr. Asa Lee Pinion, of the Chicago Comet, had crossed half of America, the whole of the Atlantic, and eventually even Picadilly Circus, in pursuit of the notable, if not notorious figure of Count Raoul de Marillac. 
 -Four Faultless Felons, G.K. Chesterton

Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. 
-Persuasion, Jane Austen

Between the silver ribbon of morning and the green glittering ribbon of sea, the boat touched Harwich and let loose a swarm of folk like flies, among whom the man we must follow was by no means conspicuous--nor wished to be. 
-Innocence of Father Brown, G.K. Chesterton

In the land of Ingary, where such things as seven-league boots and cloaks of invisibility really exist, it is quite a misfortune to be born the eldest of three.
-Howl's Moving Castle, Diana Wynne Jones

The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset.
 -The Man Who Was Thursday, G.K. Chesterton

There was a boy called Eustace Clarence Scrubb, and he almost deserved it.  
-Voyage of the Dawn Treader, C.S. Lewis
Read More 6 Missages | scribbled by Unknown edit post
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Currently Writing:
Summary: A raggle-taggle tale of... something. Romance, children's fairy tales, and the misadventures of a detective all thrown together into one cup. Let steep 3-5 minutes. Cream and sugar, according to taste.
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