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Lighthearted Scribbles and Metaphysical Whatsits


“Typewriter idle, Miss Brewster?” 

I jumped, but it was only Falcon. For half a second, I considered being infuriated. He invariably stepped heavily up those stairs on the day when I needed peace, and then stole in behind me whenever I found myself in the midst of something foolish. Then I noted the worn aspect of his eyes, and I felt a twinge of compassion. I doubted whether he paid much attention to my silliness. I felt the vanity of my own ire, and softened still more towards him. 

“Only waiting for you. Do you have something for me to draft immediately, sir?” 

“You needn’t feel sorry for me, Miss Brewster. The Inspector Hound and I kept late hours the last night; my poor mother struggled to rise at her usual wee hours this morning, because she would stay up to put the fires in their proper state after we were through jawing. There is something about this business I cannot shake…” He placed one hand on the desk. I watched as he moved the other in a sleepy gesture to his pocket and withdrew a paper. This went into the top right drawer with a sudden, fluid movement that belied his previous laziness. Perhaps it was simply one of Falcon’s mood quirks. He had been very particular about my not opening that drawer the previous day. But he never liked having his messes fussed with; it disrupted his organized chaos, he said, for someone else to impose their inferior idea of order onto it. 

“Miss Brewster?” 

I blinked stupidly. Apparently, I had missed something. “Sir?” 

“I only asked whether you slept well last night. Shall I take that as a no?” 

“I find myself easily lost in thought this morning, sir, though I fear I cannot attribute it to such cheerful causes of late entertainment as you and the Inspector Hound.” 

“The discussion of a stupid case in a stupid town are hardly cheerful,” he said, and then frowned. “Are you often alone in the evenings?” 

“Except when the suitors call, but they are always gone by nightfall,” I scoffed. “Gooseberry! Who would come to see me?” 

“Mother and I have been remiss.” 

“Rot. I do not have any means of entertaining you. I like being alone.” 

“How utterly proper and obliging of you. You know, Ingrid, we talk but you never seem to tell me anything.” He drummed his fingers a few times on the desk, and then buried them into a stack of papers. “I need you to stop by Briarmoor.” 

“Briarmoor, sir?” 

The hand sent a few papers flying. “Yes, madame, Briarmoor! Why must you always call me sir? Why does no one in this infernal place know Lady Jane? One cannot speak to a sir! Most people cannot describe her face. Does no one talk to a titled Lady, just as no one seems to talk to their employers? Beard on my face, I wish the address sir had never been crafted! You infuse it with all the mockery of an enemy and still use it to turn on me the reproach of a friend. You would kill me with that word, I believe. Yes, Briarmoor! Madame! But I cannot call you Madame; it does not work. Marm! M’lady! I have no such dagger to use against you as the one you turn on me.  I suppose the best I can do is – Miss Brewster.” 

I pondered this barrage of tangled thought a moment. His mother must have continued her haranguing from the other evening. I chose a tactically evasive maneuver. “But you have no beard, sir.” 

That touched a nerve. The silence that followed was decidedly injured. Finally, with a visible effort to speak in a manner lofty and detached, he retorted: “Speaking metaphysically, every man has a beard, rooted deep within his soul…” 

He seemed to flounder, so I took pity on him and interrupted. “Did you have an errand for me, or are you not quite finished?” 

“Yes! I am. Quite. Finished. Miss Brewster, will you go to Briarmoor for me, this afternoon, forsaking your typewriter and all the fascinating reports of the nothings this office accomplishes?” 

“I would count the walk a pleasure. And—” I hesitated. 

“And?” 

“May I ask, sir – what exactly am I to do there?” 

“Deliver a letter.” He reached for a piece of paper and scribbled absently for a moment. “For Twinings the butler. One of my devilishly clever ruses, Miss Brewster, but if anyone asks I’m trying to set the poor fellow at ease.” 

“By which I gather you to mean, ‘wrangle a confession of his long-held and undying passion for the absent lady, the declaration of which has prompted her to abandon the household forthwith’?” 

The pen ceased its scribbling for an appalled silence. Then—“Miss Brewster, do you think it wise to take what was surely a privileged opportunity to observe two of the greatest investigative agents at work and use it to taunt the one on whom (if I may be allowed to point out in all modesty) your whole career depends?” 

I reached out a respectful hand and obtained the letter, which was by now dribbling its address all over itself. “If I were in the habit of using such a course of wisdom, sir, I should scarcely follow any of your advice, much less work for you in the first place.” 

Excerpt taken from The Brew. All characters and respective whatsits property of myself, copyright 2011. 
 Disclaimer: Metaphysically speaking, Falcon really does have a beard.
Read More 7 Missages | scribbled by Unknown edit post

On Unthankfulness.


I've been trying to look at people more when I talk to them.

Not in a stare-you-down or creep-you-out sort of way (I hope!), but I have noticed a lack of eye contact on my part with the people I'm talking to. It's not a hugely perpetual thing; I don't think it's because I lie to everyone, and I'm pretty sure it's not because I'm bashful. I suspect 'tis more a matter of self-absorption and habit. I've just gotten used to rambling into the distance, and I'm beginning to realize the value of ... actually interacting with people instead of vague horizons.

It really began to interest me, however, when I took that principle of staring at vague horizons instead of people and dragged it into my prayer life. Because if I do it some of the time with people, I'm pretty sure I do it most of the time with God. Again, it's not that I don't mean what I say. But what I say isn't worth saying, because most of the time it springs from an indefinite contemplation on the art of self-knowing.

I'm not asking for sympathy or a pat on the back. This is a horrible thing that I see in myself, and I'm repenting of it as such. There's no need to wallow in the agony of self-reproach; better to rejoice in the truth of redemption. But there - that's just the point. Ever tried staring at a mirror image of yourself and saying a prayer of praise and reverent awe to God? Ever tried being thankful to God whilst in a state of total self-absorption? Yeah. It doesn't work. (And I suspect it's stolen a great quantity of joy from my prayer life heretofore.)

I want to linger on that last one. Thankful. My prayers are often beseeching, often repentant, often wrestling - these are good and right parts of prayer. But I struggle to make them thankful. What keeps me from thankfulness? Is it not because I do not look at God when I am talking to him? Is it not because prayer for me is usually more about self-disclosure than basking in the presence of the living Christ in reverence and awe?

I say this knowing that tomorrow is Thanksgiving Day. There's an element of non-coincidence there; at the same time, if a thankful heart isn't sustainable on the ordinary days then all the howling horrors of the holidays certainly won't foster one. Yet the howling horrors are not to blame. If I were to pray, and think, and walk, and live, and work, and sleep with the face of God ever before me - in all of my conversations, but especially time in the closet for prayer - that life, that conversation would be a wellspring of thanksgiving and praise, unstoppable and unending in its current.

For God, who said, "Let light shine out of darkness," 
has shone in our hearts to give the light of the knowledge of the glory of God 
in the face of Jesus Christ.
-II Cor. 4:6-

And I am thankful. 
Read More 0 Missages | scribbled by Unknown edit post

twenty-three


The Lord is my shepherd,
so why do I feel wanting? 
Why is life so daunting 
if he's by my side? 
The Lord is my shepherd, 
so why is sin still taunting? 
Why is guilt still haunting 
me? God knows I've tried. 

 I've seen the greener pastures;
I've drunk from the calmer waters. 
The problem isn't the color or motion 
it's that I'm always there, where I've
needed these legs broken again and again,
still I forget the comfort of your discipline and 
run from your rod and run from your staff 
with sheepish dismay, though you've loved me through my past,
my future, and
even this indefinite present... 

If the Lord fills my table, 
then why does life feel hollow? 
Is it so hard to swallow 
that faith gives sight, not the sun? 
But my God is good and mercy. 
In hard pursuit he follows. 
Though I flee, sick and shallow, 
there's nothing I could outrun 

(much less eternity)

Now I'm in the greenest pastures, 
drinking from those quiet waters. 
The problem isn't the blades or the molecules, 
it's that I'm still here, 
I'll always be here, where I 
need you to break this heart, again and again,
lest I forget the ways that brokenness mends and 
flee your rod and run from your staff 
with sheepish dismay, though they make beautiful my past,
my future, and
this unyieldable present... 

A leaky cistern is all I can give: 
break it down and make it your sieve. 
Crush the servant who hates to forgive - 
kill me, I'll live, God, kill me; I'll live. 
This broken cistern's all that I give; 
smash this heart and make it your sieve. 
Tear down this will that hates to forgive - 
kill me, I'll live, God; 
slay me or I'll never live. 

Even though I walk through the shadow of death,
even though I walk: not an if but a when. 
Even though I walk through the shadow of death, 
in your house forever: not an if but a when. 

Nota Bene: I am not a technical poet. As in most things, I tend to emote before I know what I'm doing. Ergo, critiques of that specific a nature will probably take me a few weeks to decipher, though I appreciate any input.
Read More 4 Missages | scribbled by Unknown edit post

"The wit of your remark," he said, "wholly escapes me."

Last night I had the distinct pleasure of seeing one of my favorite musicians perform live. It was beautiful; the music was sufficiently loud, the artistry sublime, and the companionship (my sisters and some of my dearest friends) warm. Halfway through the concert, however, I was struck by a fierce desire: not for the experience to go on forever and ever, as I have sometimes felt before when I was younger and in the throes of some extraordinary experience of art or literature, but simply to be home again.

The experience itself was not tiresome, but I realized it could not be an end in and of itself. Such extraordinary beauty is no good if it only makes us dissatisfied with the beauty of the ordinary. The highest peak of a crescendo must in the end return to the sustained quiet of the melody, or it is simply another over-drawn high note.

Because the best sorts of beauty are the ones I distinctly do not plan. The best sorts of beauty are the ones I do not expect. I expected to go to that concert and see and hear beautiful things - and I did. But it was a glimpse of the beauty of this world as God has made it, and the full enjoyment of all the good gifts he has given to man - the rain he sends on the just and the unjust. There is a beauty better still. It is the beauty of the commonplace, the beauty of the million little ways that he shows his particular love for his children as they stumble about their everyday paths. They are the tremendous little things, the pinpoints of light that provide windows into a world that is still to come, a world that has been wholly renewed, if we will see them for what they are.

I am glad to be home. 

     "I am going to Battersea," I repeated, "to Battersea via Paris, Belfort, Heidelberg, and Frankfort. My remark contained no wit. It contained simply the truth. I am going to wander over the whole world until once more I find Battersea. Somewhere in the seas of sunset or of sunrise, somewhere in the ultimate archipelago fo the earth, there is one little island which I wish to find: an island with low green hills and great white cliffs. Travellers tell me that it is called England (Scotch travellers tell me that it is called Britain), and there is a rumour that somewhere in the heart of it there is a beautiful place called Battersea." 
      "I suppose it is unnecessary to tell you," said my friend, with an air of intellectual comparison, "that this is Battersea?" 
      "It is quite unnecessary," I said, "and it is spiritually untrue. I cannot see any Battersea here; I cannot see any London or any England. I cannot see that door. I cannot see that chair: because a cloud of sleep and custom has come across my eyes. The only way to get back to them is to go somewhere else; and that is the real object of travel and the real pleasure of holidays. Do you suppose that I go to France in order to see France? Do you suppose that I go to Germany in order to see Germany? I shall enjoy them both; but it is not them that I am seeking. I am seeking Battersea. The whole object of travel is not to set foot on foreign land; it is at last to set foot on one's own country as a foreign land. Now I warn you that this Gladstone bag is compact and heavy, and that if you utter that word 'paradox' I shall hurl it at your head. I did not make the world, and I did not make it paradoxical. It is not my fault, it is the truth, that the only way to go to England is to go away from it." 
-G.K. Chesterton, Tremendous Trifles, "The Riddle of the Ivy" 
Read More 5 Missages | scribbled by Unknown edit post
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