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That's What the Promise is For.

The stranger approached me as I stood contemplating the barbed-wire fence. It was an old, sagging affair, flapping in the greying dusklight like the tattered shreds of a war-banner. Its gangly belly brushed the short brown grass in several places. I had been trekking through these hillsides for some hours (or perhaps years; I had long since forgotten) until the fence brought me up short. It seemed too disheveled and humble for all the legends. I halted and stared more from surprise than reverence.

And then the stranger had come. As strangers in tales were wont to do, he spoke first.

“You don’t want to go in there.”

I faced the fence, not him. “It would be nothing to climb over it.” The difficulty of keeping the unspoken question out of my voice was almost too much. “’ Look—here, and here,” I began to stroll down the length of the fence, pointing out points that were so low I (even I!) could have safely stepped over it without lifting my hem and not torn my skirts.

Then I halted, for there was one part of the fence lacking in wire altogether. It must have been the gate, or rather the entrance, for it was merely an empty space. One of the posts bordering the entrance bore a simple red and white sign, with this admonition:

DANGER: MINES.

I turned to the stranger for the first time. His back was to the sunset; I could not see his face. “Is this it? Is this why I am not to go beyond the fence?”

I fancied I saw something of slyness play over the grey-blue hollows of his eyes. “Did I say you should not go in there? An exact quotation, I believe, would be you don’t want to go in there—a statement wherein the emphasis, my dear literary girl, lies not on the going, but the wanting.”

“The wanting?” I scoffed. “The sign would have done well enough what you and your shallow sport with words aim to do—if you are to be believed.”

The stranger ignored the last statement. “Would it?”

“Of course! Who wittingly and willingly walks into a minefield?”

He stood without motion so long I thought perhaps he had turned to stone. At last, he said but a single word: “Many.” And then, two more: “You would.” There was another pause. “You have traveled far, but not (I trust) from a cave. You knew there were mines here.”

 “I have heard of the minefields, of course, but I did not expect them to be so loosely bordered—nor so clearly marked.”

“Then you have heard, I suppose, of the stipulations imposed on those entering.” His voice took a definitely mocking tone.

“Stipulations? I have been taught the way things are,” I shrugged. “To enter the minefields, you must enter two at a time, or not at all.”

“Two at a time, by the gate,” now his tone slid softly about the ever-deepening dusk, with an almost fragrant quality to it. The contrast with the bitterness before was frightful. “And not just any two, eh? That is your problem. You have said it yourself; the way things are, and not a stipulation. Because if they were stipulations, it would be simple; if they were stipulations, you would climb over the fence. But the way things are cannot be changed; the way things are leave you hopeless—drifting along a tired old fence—and why?”

My voice sank with the slope of the nearest strand of wire. “Because I am only one.” The words seemed to catch at my fingers like the flailing barbs at the strands of grass, needling and shredding everything they touched.

The stranger took a step forward, a swift movement that startled me into a clumsy step backwards, but he only went past me and laid a gentle hand on the sign. “Danger: mines.” His voice became gentle. “Believe me: you are in no danger of the going, of the crossing over. But what of the staying? Is not the wanting a mine itself, planted deep in your heart, threatening to explode with each hasty step?”

I had no answer. He continued: “Stipulations—or the way things are—whichever word you call it.”

“I think—” I faltered.

“You think!” scoffed he.

He blinked again, and I felt so foolish I was temporarily muddled. “Do you pretend to know more than I?” scoffed he, and there was that blink. It was almost hypnotic: like a cat entrancing a mouse. I was the mouse; I was sure of it. “Do you know who I am?”

I knew the answer to that question. “No.” Then, suddenly, I had it, like the thunderbolt following late on the heels of the lightning strike. “No, I do not know you at all. You are the stranger—and very clever for such an unknown, but you know what they say about talking to strangers. Oh! You are very wise and cunning; in fact, you remind me of an owl, especially when you blink. But I was brought up on the best sort of children’s books, and I seem to remember an owl who looked very learned and turned out to be a fool. I think perhaps you are that sort of owl. And I—well, to be sure, my size in comparison is more a sparrow than an owl, and I’m sure I haven’t half the brains of a sparrow. But again, that depends on the sorts of books one reads. The ones I know seem to place things very decidedly in favor of the sparrow.”

“Sparrow?!” he laughed. “Sparrows do not live in the desert. They travel in flocks about cities and eat crumbs that wiser birds know to leave behind. You, my dear girl, are in the desert, with a great minefield bound up inside of you. You would be in a minefield either way, but this is the one you must walk—and walk it (as you say) alone.” 

The words chirped in the lingering silence; the crickets had fled years ago. Again, I felt my companion must have turned to stone, and my stomach with him. I seemed the only living thing in a world of rock, and a stone stranger sent to mock me for it.

And then I heard a voice, faint but clear enough to rise above the roaring silence of my stone heart and my stalwart companion and the crickets who were not there. The voice trilled like a poet, thundered like a prophet, sang like a minstrel, riddled like a bard, bellowed like a herald; it was each of these entirely and none of them at all. It was only my youngest sister’s voice, lifted high in what seemed a glorious epiphany of truth: “Anna! It’s dinner-time!” 

My eyes jumped from the dry grass at my feet to the stranger by the gate, but he seemed not to have heard. Whichever one you walk, you must walk it alone.

Rhetorically, the moment for answering had long since passed. But this was no mere game of rhetoric. I lifted my head. “What do you mean?” 

Then he looked at me, and now that the sun was no longer behind him I could see his face. He blinked a trifle owlishly, and I felt the question was stupid so I asked it again. “What do you mean?” I said again, frowning at the two lumps of gatepost and the stranger standing between them. He opened his mouth to speak, but I continued hastily: “Did I say I could not cross the fence because I was alone?”

“The stipulations—”

“Did I say I was alone?!” I squeaked desperately, wishing for the voice of man so that I might thunder back with equal volume, but determining to stick to my point this time, however unimpressively. He gave me that superior gaze and I almost felt silly, but that had never stopped me from talking before, and it seemed foolhardy to break with tradition at a moment like this. “I am sorry; I am sure the particular nuance I have in mind is too slight for a proper literary mind to divulge. It was almost too much for me, and even then I only thought of it because of the dinner-call.”

There! I had done my best to be enigmatic, but he still looked less confused than I felt. I plunged ahead. There was no sense in caring about making sense now. “I did not say I could not enter because I am alone; I said it was because I am only one. I did not say I was alone.” I repeated the last sentence with stubborn pride, putting my hands on my hips as I did so (I could not help it!). “So! There is this sign, and it says there are mines and there is danger, or (as you have inferred) there is danger to be had in the mines. All that is drawn from this side of the fence, where it seems this side is life where one must be alone, and on the other side a sort of half-life with the threat of explosions, and the best to hope for is a sudden death either way. But perhaps we have forgotten to look through the darkened glass; perhaps we have taken it for a mirror, and the reflection reads backwards. After all, the sign faces outwards, speaking not to those who are about to step on the mines, but to those of us who will not risk them at all. Danger.” 

I stopped and drew a breath, feeling giddy with the words and the dusk and the memory of the trumpet-sound of my sister’s voice. “And you! A veritable signpost yourself—you would have me find myself alone, with a heart ready to explode but safe. Safe! Wherever I walk, I pray to God it does explode. My heart is good for nothing else, just as this barren field is no good for a crop.” I kicked pensively at the draggled grass beneath me. “But maybe things will grow here, after the days of explosions and fires and smoke. Maybe if we forsake the mirror, the glimpse through the darkening glass will reveal this side is death, and the best we have to hope for on the other side is the explosion, and after that a sudden life.”

I did not give him another glance that evening as I turned and made my way away from the fence. The gate would have to wait for another evening. I had received a greater summons already; I was late for dinner. 
Read More 6 Missages | scribbled by Unknown edit post

"It all began with the aurochs."

-The Paradise War, Stephen Lawhead

Image courtesy of Wikipedia, because Google Images is just that cool.

I would say I hate to always be borrowing Jenny's ideas, but I don't. She has such good ones. Recently, she posted a brief but poignant remark on the importance of the opening lines of a book, quoting several of her favorites' at the end by way of example/an excuse to fill a post with really good quotes. This is what I resort to blogging when my brain is too tired to produce anything but unedited snippets of awkward.

A fair few of my favorites found their way into Jenny's post, and I shall not bother to recapitulate those; Rosemary Sutcliff, Beowulf, and Perelandra being foremost in my memory as such (you may find her post here). But sans-the-aforementioned, here is my own, per Jenny's request and my own desire to throw this together.

First Impressions: {Redux}

Blandings Castle slept in the sunshine.
-Summer Lightning, P.G. Wodehouse

The whole land of Skree was green and flat.
-On the Edge of the Dark Sea of Darkness, Andrew Peterson

So, now. One day soon they hang me for a rogue.
-Scarlet, Stephen Lawhead

The Egotists' Club is one of the most genial places in London.  
-The Complete Stories, Dorothy Sayers

The Naming of Cats is a difficult matter, 
It isn't just one of your holiday games; 
You may think at first I'm as mad as a hatter 
When I tell you, a cat must have THREE DIFFERENT NAMES. 
-Old Possum's Book of Practical Cats, T.S. Eliot

I am old now and have not much to fear from the anger of the gods.  
-'Til We Have Faces, C.S. Lewis

Beloved in our Dearest Lord, you are those worthies 'of whom this world is not worthy.'
-Heaven on Earth, Thomas Boston

Here is Edward Bear, coming downstairs now, bump, bump, bump, on the back of his head, behind Christopher Robin.
-Winnie-the-Pooh, A.A. Milne

There is an ancient proverb people tell
that none can judge the life of any man
for good or bad until that man is dead;
but I, for my part, though I am still living, 
know well that mine is miserable and hard.  
-The Women of Trachis, Sophocles
On  Mondays, Wednesdays, and Fridays it was Court Hand and Summulae Logicales, while the rest of the week it was the Organon, Repetition, and Astrology.  
-The Once & Future King, T.H. White

 My father's family name being Pirrip, and my Christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. 
-Great Expectations, Charles Dickens

Sophie le Patourel was reading aloud to her two daughters from the Book of Ruth, as they lay upon their backboards digesting their dinners and improving their deportment.
 -Green Dolphin Street, Elizabeth Goudge

A surging, seething, murmuring crowd of beings that are human only in name, for to the eye and ear they seem naught but savage creatures,  animated by vile passions and by the lust of vengeance and of hate." 
-The Scarlet Pimpernel, Baroness Orczy 

Mr. Asa Lee Pinion, of the Chicago Comet, had crossed half of America, the whole of the Atlantic, and eventually even Picadilly Circus, in pursuit of the notable, if not notorious figure of Count Raoul de Marillac. 
 -Four Faultless Felons, G.K. Chesterton

Sir Walter Elliot, of Kellynch Hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; there he found occupation for an idle hour, and consolation in a distressed one; there his faculties were roused into admiration and respect, by contemplating the limited remnant of the earliest patents; there any unwelcome sensations, arising from domestic affairs changed naturally into pity and contempt as he turned over the almost endless creations of the last century; and there, if every other leaf were powerless, he could read his own history with an interest which never failed. 
-Persuasion, Jane Austen

Between the silver ribbon of morning and the green glittering ribbon of sea, the boat touched Harwich and let loose a swarm of folk like flies, among whom the man we must follow was by no means conspicuous--nor wished to be. 
-Innocence of Father Brown, G.K. Chesterton

In the land of Ingary, where such things as seven-league boots and cloaks of invisibility really exist, it is quite a misfortune to be born the eldest of three.
-Howl's Moving Castle, Diana Wynne Jones

The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset.
 -The Man Who Was Thursday, G.K. Chesterton

There was a boy called Eustace Clarence Scrubb, and he almost deserved it.  
-Voyage of the Dawn Treader, C.S. Lewis
Read More 6 Missages | scribbled by Unknown edit post

Beautiful People: Beastly Balls and Gilded Pantaloons

Source: ~conceptions of deviantart.com
There is writing that struggles to be written, and then there are those things one writes purely to have one's own way. I have one story that is the latter - the story that I never worry about and hardly ever work on, but very probably think about the most simply because... 'tis fun. I call it my Fun&Games story. It is best explained by ridiculousness heaped upon ridiculousness, a fairy-tale turned on its head. Alas, it is probably more myself than anything else I have written.


 At any rate, we're due for another Beautiful People post, so I nabbed one of these ridiculous fellows to play along.

Prince Allan Eberhard Swashbuckler 
of the House of the Buckling Swash, 
Heir to the Throne of the Kingdom of Nightfall 
in the Land of Faraway, 
who killed a dragon.

What is your biggest accomplishment?
I killed a dragon when I was ten. Then I got bored. 

What is your strongest childhood memory? 
After I got bored, I ate some of the dragon. Then I got sick (still boring).

What is your favorite food? 
Not dragon.

Do you believe in love at first sight? 
I believe in swooning at first sight; that seems to be the fashion around here for girls when a Prince is nearby. I've tried to tell my liege-Father the Court Physicians are turning them all into ninnies with some tonic or other (if a girl can swoon, she'll swallow anything) but he didn't think that was very funny. 

What kind of home do you live in? 
I live in a castle. You know: guards, turrets, rooms of treasure, swooning maidens - the whole shebang. But I suspect my home will shortly be an insane asylum. Give it a few years. 

What do you like to wear? 
Oh, you know, PRINCELY garb. The choking effusion of lace about the neck is my personal favorite, though the gilded pantaloons run a close second. 

What would you do if you discovered you were dying? 
A dying prince, I'm told, is very bad for a kingdom's economy. That thought alone would bleaken my deathbed with sorrow, I'm sure. I should probably write poems about it all.

What kind of holidays or traditions do you celebrate? 
Quite a few: the Feast of the Glass Slipper, the Nap of a Thousand Hours, the Beastly Ball... but those are only my favorites. I would mention many more, each more horrendous than the last, if my head didn't hurt. 

What do the other characters have to say about you? 
Only good things. Didn't I mention I'm a Prince?  

If you could change one thing in the world, what would it be? 
Make it a little less complicated for a villain to own a weapon. This place would be much more exciting if its villains could spend less time on paperwork and more time pillaging and plundering. It's very hard to pillage and plunder unarmed - only slightly more difficult than filling out paperwork when you can't spell properly. 

And I'm still bored.
Read More 3 Missages | scribbled by Unknown edit post
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